| 000 -LEADER |
|---|
| fixed length control field |
02138nam a22002537a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20230201161056.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
230201b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781032233437 : |
| Terms of availability |
Rs.995.00 |
| Qualifying information |
hbk |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
IDSK |
| Language of cataloging |
eng |
| Transcribing agency |
IDSK |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| Language code of original |
eng |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Edition number |
23 |
| Classification number |
305.420954 |
| Item number |
S61735s |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Singh, Anita |
| Relator term |
author |
| 9 (RLIN) |
4264 |
| 245 1# - TITLE STATEMENT |
|---|
| Title |
Staging feminisms : |
| Remainder of title |
gender, violence and performance in contemporary India / |
| Statement of responsibility, etc. |
Anita Singh. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
South Asia Edition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
London : |
| Name of publisher, distributor, etc. |
Routledge, |
| Date of publication, distribution, etc. |
2022. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
ix,191 p.: |
| Other physical details |
ill. [black and white] ; |
| Dimensions |
22 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes references and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
1. Introduction 2. Feminism and Folk Epic: Draupadi, Dharma, Performance, and Protest in Teejan Bai’s Pandavani episodes “Draupadi Vastraharan” and “Dushasan Vadh.” 3. Community Theatre: Performance as Radical Cultural Intervention in Sanjoy Ganguly’s “Sarama” and Shilpi Marwaha’s “Dastak.”4. Urban Proscenium Stage:Volatile Bodies, Celebratory Protests in Maya Krishna Rao’s “Walk” and Usha Ganguli’s “Hum Mukhatara.” 5. Conclusion |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
This book questions how feminist beliefs are enacted within an artistic context. It critically examines the intersection of violence, gender, performance and power through contemporary interventionist performances. The volume explores a host of key themes like feminism and folk epic, community theatre, performance as radical cultural intervention, volatile bodies and celebratory protests. Through analysing performances of theatre stalwarts like Usha Ganguly, Maya Krishna Rao, Sanjoy Ganguly, Shilpi Marwaha and Teejan Bai, the volume discusses the complexities and contradictions of a feminist reading of contemporary performances.<br/><br/>A major intervention in the field of feminism and performance, this book will be useful for scholars and researchers of gender studies, performance studies, theatre studies, women’s studies, cultural studies, sociology of gender and literature. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Source of heading or term |
LCSH |
| Topical term or geographic name entry element |
Women in the theater |
| 9 (RLIN) |
4265 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Source of heading or term |
LCSH |
| Topical term or geographic name entry element |
Sex role |
| 9 (RLIN) |
4266 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Textual Documents |
